On The Nanny, Maxwell might’ve signed the checks, but he was not nearly man enough to boss around Fran. Who was the actual boss?: As Community proved, Angela was very much the boss on Who’s the Boss? And to that point, the show was built to be about flipping traditional gender roles and making the woman the boss. Fran’s boss was Maxwell, a successful (albeit not as successful as Andrew Lloyd Webber) yet British-ly fussy Broadway producer. Tony’s boss was Angela, a successful yet fussy advertising executive.
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Who was the boss, literally?: If you’re going to have a very, let’s say, “ethnic” housekeeper, than the boss has to be uptight. Both shows got a lot of mileage playing off the character’s stereotypes. The Nanny’s nanny was Fran Fine, a very Jewish-American former cosmetic saleswoman from Queens.
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On Who’s the Boss? Tony Micelli (Tony Danza) was a very Italian-American former pro baseball player from Brooklyn. The Babysitter: Both shows were built around a “hot stuff” babysitter-out-of-water.
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The Nanny’s fancy house was in Manhattan itself.
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Setting: While both shows took place in the tristate area, Who’s the Boss? was set in a wealthy Connecticut suburb. Sternin and Fraser were a husband-and-wife team that served as producers and writers on Who’s the Boss? It was on WtB? that they originally met Drescher, who was guest-starring at the time. But which one was better?Ĭonnection: Though Fran Drescher and her then-husband created it, The Nanny was developed by showrunners Robert Sternin and Prudence Fraser. Both were immensely popular and effective star vehicles for their respective sitters. The core of the two shows is quite similar, as they were each built on a nearly identical boss-babysitter dynamic. Of course, I’m describing both Who’s the Boss? and The Nanny. The Nanny (1994–1999)Ī wealthy New York City businessperson hires a big-personality resident of an outer borough to watch their offspring. Today’s Contenders: Who’s the Boss? (1984–1992) vs.
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Today: It’s the battle of the babysitters, Who’s the Boss? versus The Nanny. To give these other series their moments to shine, every day we’ll be pitting two like-minded comedies against each other: We’ll pick our winner, and readers will then vote for their own. But while that bracket focuses on the greatest, most innovative modern comedies, it couldn’t cover all of the series that live on in our hearts, the ones that may not fit those highfalutin parameters but which we could talk about for days. The sitcom has also spawned several foreign adaptations, loosely inspired by the original scripts.Vulture is in the midst of its Sitcom Smackdown, a three-week contest that pits the best sitcoms of the last 30 years against each other to crown the ultimate winner. The show earned a Rose d'Or and one Emmy Award, out of a total of thirteen nominations, and Drescher was twice nominated for a Golden Globe and an Emmy. The Nanny is an American television sitcom originally broadcast 1993–1999 on CBS, starring Fran Drescher as Fran Fine, a Jewish Queens native who becomes the nanny of three children from the New York/British high society.Ĭreated and executive produced by Drescher and her then-husband Peter Marc Jacobson, The Nanny took much of its inspiration from Drescher's personal life growing up in Queens, involving names and characteristics based on her relatives and friends.